Qualitative Inquiry

 

Advanced Search

Journal Navigation

Journal Home

Subscriptions

Archive

Contact Us

Table of Contents

Click here to sign up for SAGE Journal Email Alerts today!

Sign In to gain access to subscriptions and/or personal tools.
This Article
Right arrow Full Text (PDF)
Right arrow References
Right arrow Alert me when this article is cited
Right arrow Alert me if a correction is posted
Services
Right arrow Email this article to a friend
Right arrow Similar articles in this journal
Right arrow Similar articles in ISI Web of Science
Right arrow Alert me to new issues of the journal
Right arrow Add to Saved Citations
Right arrow Download to citation manager
Right arrowRequest Permissions
Right arrow Request Reprints
Right arrow Add to My Marked Citations
Citing Articles
Right arrow Citing Articles via Google Scholar
Google Scholar
Right arrow Articles by Kelly, A.
Right arrow Articles by Kerner, A.
Right arrow Search for Related Content
Social Bookmarking
 Add to CiteULike   Add to Connotea   Add to Del.icio.us   Add to Digg   Add to Reddit   Add to Technorati  
What's this?
Qualitative Inquiry, Vol. 10, No. 5, 767-787 (2004)
DOI: 10.1177/1077800403261681

The Scent of Positive Lives: (Re)Memorializing Our Loved Ones

Angela Kelly

Australian Research Center in Sex, Health and Society La Trobe University, Melbourne

Aaron Kerner

San Francisco State University

This experimental piece, after establishing the mutual experience of the death of a loved one, explores the authors’experience of being involved in and attending the international photographic exhibition Positive Lives that documents the lives of people living with HIV/AIDS and those that care and support them. This article focuses on one of the stories, Andrew Knox, the primary author’s partner, who died with AIDS dementia. Relating to those who suffer the symptoms of dementia confronts us with a terrifying thought: we too might forget. Using Barthes’s text Camera Lucida, the authors turn to the use of photographs from Positive Lives and personal snapshots as a way to memorialize those they have loved and lost. What was once a personal and individual memory, the primary author’s experience of her partner’s life and death with HIV/AIDS, is now shared and "entangled" within the cultural and collective memory and history of HIV.

Key Words: Roland Barthes • AIDS dementia • photography • death • (re)memorializing


Add to CiteULike CiteULike   Add to Connotea Connotea   Add to Del.icio.us Del.icio.us   Add to Digg Digg   Add to Reddit Reddit   Add to Technorati Technorati    What's this?